GorT & Mrs. GorT went out to dinner and a movie with friends last night. It was a spur of the moment kind of thing and our friends chose the restaurant and movie. The meal was really good – we ate at Cava Mezze Grill which is following in the mold of Chipotle, Qdoba, Tom Yum, and numerous other “fast fresh food” places where you move down an assembly line of ingredients building your meal as you go. Cava takes it down the Mediterranean avenue – it was really tasty – GorT had the braised lamb over brown rice with spicy harrisa (true to its name), crazy feta and tzatziki sauce with a variety of vegetable toppings. The movie chosen was “Her” – Spike Jonze’s film starring Joaquin Phoenix, Scarlett Johansson and Amy Adams. IMDB’s summary of the movie is “A lonely writer develops an unlikely relationship with his newly purchased operating system that’s designed to meet his every need.” IMDB has it at 8.5 out of 10 and Rotten Tomatoes rated it at a 90% with an audience rating of 87%.
Sigh. I’m not quite sure how to summarize what I thought about this movie. Sure, the message is an interesting one in Spike Jonze’s attempt at pointing out where we are or could be with human relationships with the technology that is ever present in our current lives. But the message gets muddled with a variety of oddities in the film, the forced use of foul language and some strange comedic bits. If someone told me that Spike Jonze is a Woody Allen protegé I would buy it hook, line and sinker. I don’t want to spoil the film for anyone who wants to see it but I’ll point out a few of the oddities.
Apparently, the near-future where access to computing resources is ubiquitous looks remarkably like a 1970s science fiction film. The male characters wear pants whose rise (the distance from the belt to the crotch) is enormous and they sit at their belly-buttons. It looks like they are pulling their pants up as some sort of “high water” like joke but the length remains correct. Plus they all sport 70’s mustaches. The filmography only enhances this by its choice of lighting, textures and filters. The womens’ clothes are equally retro-futuristic. This was difficult to get over as the movie progressed with some scenes almost intentionally focusing on it.
Towards the end of the movie the four of us started thinking about how the movie would wrap up. What sort of weird twist were we in store for us? Maybe I’ll revisit this after the movie has been out a while as to our theories – all would have been amusing as we had pretty much committed to watching the film (although the other husband was seriously considering leaving the theater).
It’s a somewhat disturbing and disjointed film, in my opinion. None of the four of us cared for it very much and it didn’t even cause us to debate the underlying message. I’m not quite sure how it received such high marks other than it is weird and profanity laced, so that must be appealing to some. Maybe there are a number of folks who find the idea of a romantic relationship between a person and their computer interesting too…maybe it hits home for some. Yes, yes, we can all insert the GorT joke here but this was just weird. I think Hollywood maybe be trying a bit of what the restauranteurs are trying with the exotic and odd choices just to be different.
Volgi, this movie really sucks.